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The Home Recording Handbook: Use What You've Got to Make Great Music (Book & CD), by Dave Hunter
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(Technical Reference). Gone are the days when home recording was limited to four tracks of tape hiss on a cassette porta-studio. Now, limitless digital multitrack recording and a vast array of outboard effects and processors are available to anyone with a computer. Add a few other essentials such as a microphone, some headphones & monitors, and you've got a home studio capable of making professional recordings worthy of airplay and release. What you might not have is the know-how to harness all that vast potential ... which is where the Home Recording Handbook comes in. In this latest entry in Backbeat's best-selling handbook series, author Dave Hunter shows you how to make pro-sounding recordings without pro budgets. Packed with tips and techniques born out of years of recording experience, supported by specially recorded audio tracks on the accompanying CD, this is an essential volume for the working musician.
- Sales Rank: #362632 in Books
- Published on: 2012-02-01
- Original language: English
- Number of items: 1
- Dimensions: 11.25" h x 1.18" w x 9.00" l, 2.65 pounds
- Binding: Hardcover
- 256 pages
About the Author
Dave Hunter is a leading guitar writer and a musician. His books include Totally Guitar, Guitar Effects Pedals, Guitar Amp Handbook, Star Guitars and Guitar Rigs. He contributes regularly to Guitar Player and Vintage Guitar magazines.
Most helpful customer reviews
4 of 5 people found the following review helpful.
Good Reference
By IZM
I did not know what to expect from this book. I was hoping for a product that would attempt to do what the title says: teach "do it your selfers" how to use the equipment they may already have at home to get a better sound. I was hoping the author would go into explainations of equipment that would help the average person maybe understand a little bit more about how the equipment one is likely to have works and how to use this information to ones advantage in the home studio, which by its very nature will be limited. I think the author did a lot to accomplish all those things. I learned a lot about Mics (which I sorely needed help with). Example would include a small section that explained (and showed diagrams) the various field shapes of different types of mics (some only record sound that enters directly from the front, others can pick up peripheral sounds etc).
One thing I will say is that even though the book is definitely geared towards those that will be recording live instruments there is a lot of useful info for us "in the box" people as well.
I would say the book is worth the current price.
0 of 0 people found the following review helpful.
Strong On Recording
By JimF
Reference materials for home recording tends to concentrate on one of two areas of information, recording (tracking) or mixing (post production). The 2012 edition of The Home Recording Handbook by Dave Hunter provides a lot of information about recording.
The Home Recording Handbook has 261 pages of content divided into ten chapters. Chapters 1 to 3 are about 73 pages of content and can be considered introductory information either concerned with terminology or equipment overview. Chapters 4 to 8 are about 120 pages and concentrate on recording techniques for the different instruments typically found in a modern pop band such as drums, bass, acoustic and electric guitar, vocals and keyboard. Chapter 9 is 39 pages concerned with mixing. Chapter 10 is 15 pages that addresses mastering.
An additional twenty pages is spent describing the 99 audio tracks available on the included compact disc. The 99 audio tracks recorded by Dave Hunter provide side-by-side sound comparisons of more than 10 microphones popular in home recording studios on drums, acoustic guitar and vocals. The audio recordings also allow comparison of the recorded sound of multiple guitar amplifier. Some may believe as I do that the book cost is not out of line for the value of the audio cd alone.
Beside the audio cd, there are several other thoughtful choices that illustrate the care and attention given to make sure this book is a worthy addition to your collection. The author uses clear photographs to illustrate microphone and sound damping suggestions. The book pages are spiral bound so the book can lay open at any page. The pages are printed on some of the thickest paper I've ever seen inside a book. The front and rear hard bound covers are over sized to better protect the interior pages. The index is very useful.
The Home Recording Handbook is most useful for the person just beginning to record or for someone seeking to hear a variety of microphones and amplifiers.
0 of 0 people found the following review helpful.
Excellent info on recording rock/pop, would need to supplement if you're recording jazz or mostly acoustic instruments
By pounding on the keyboard
Overall an informative read for someone starting out, with the limitation that it's strong on recording rock instruments: guitar, bass, drums, vocals, as well as 2 acoustic instruments, piano and guitar, and gives short shrift to non-rock instruments. This is expected given the author's depth of knowledge on guitars, effects and amps (see his other books) It also doesn't cover what one might call the EDM world: synths, VST's, drum machines, samplers etc which you can't generally ignore as an audio engineer these days. Also a few other things i would have like to see: buying used equipment, modifying microphones (some mods are easy like removing screens, others are e.g. soldering capacitors in) and instrument care: buying shock-absorbing cases, cleaning condensor capsules etc. There's one or two inaccuracies, the bit about how phantom power is in general harmful to ribbon mikes, p44. The section on acoustic treatments is pretty skimpy, 8 pages, and doesn't mention electrical issues e.g. ground loops, or the very effective budget treatments: bookshelves and moving blankets or the more professional O-C 703.
What it does cover, it covers well. There's things like tuning guitars, drums, spending time trying multiple mikes in many positions ona guitar cab, after you've selected the best sounding drivers. There's concrete recommendations on how to work without a separate control booth, as most home recordists do, and on how to use compression, reverb, EQ (there's no discussion of side chaining to carve the bass out of the kick drum's way tho). There's many specific mike recommendations in the < $500 range, most of those mikes are still current models in Jan 2015. the DAW screenshots are protools but but PT-specific and shouldn't hinder any ableton or logic etc users.
So all in all, easily worth the money and a good start for anybody that wants to record with a budget up to a few thousands of US$.
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