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Malavita: A Novel, by Tonino Benacquista
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Imagine The Sopranos transplanted to the French countryside….
This thrillingly comic, internationally bestselling Mafia farce is the inspiration for the major motion picture The Family starring Robert De Niro, Michelle Pfeiffer, and Tommy Lee Jones, and produced by Martin Scorsese.
The Blakes are newcomers to a small town in Normandy. Fred is a historian researching the Allied landings, Maggie enjoys charity work, and their kids are looking forward to meeting other teenagers at the local lycée. Or so it seems.
In fact, Fred is really Giovanni Manzoni, an ex-goodfella turned stool pigeon who’s been relocated from New Jersey to France by the FBI’s witness protection program. He’s got a two-million-dollar bounty on his head, but he and his family can’t help attracting attention (imagine the Sopranos in Normandy). And when imprisoned mobster Don Mimino gets wind of their location, it’s Mafia mayhem à la Josh Bazell’s Beat the Reaper, or like The Godfather as if written by Carl Hiaasen. Because while you can take the man out of the Mafia, you can’t take the Mafia out of the man.
- Sales Rank: #693406 in Books
- Published on: 2013-06-25
- Released on: 2013-06-25
- Original language: English
- Number of items: 1
- Dimensions: 7.73" h x .74" w x 5.07" l, .47 pounds
- Binding: Paperback
- 275 pages
Review
“This action-comedy book is all good fun throughout. . . . There are some very funny moments.” —Newsday
“An entertaining summer read.” —Houston Chronicle
“Savagely funny and surprisingly touching.” —The Guardian (London)
“A queasily-comic, stylishly-executed romp.” —The Independent (London)
“Crime fiction that makes you chuckle is rare, and this is an exceptional example of the species.” —Judges’ citation, Crime Writers’ Association International Dagger Award (finalist)
“Hilarious . . . Snappy writing and brisk pacing add up to a comic crime novel Elmore Leonard fans would relish.” —Publishers Weekly
“A smart fish-out-of-water conceit . . . The story thrives on absurdities and coincidence, particularly in [one] virtuoso scene.” —Kirkus Reviews
About the Author
Tonino Benacquista was born in France in 1961 to Italian immigrants. He is the acclaimed author of several novels, including The Thursday Night Club, as well as film scripts and graphic novels. He lives in France.
Most helpful customer reviews
9 of 10 people found the following review helpful.
Malavita is a good read, indeed
By Tony Covatta
First off, I have seen the trailer of the movie based on the book, "The Family," which has not yet been released. As in so many other cases, I predict on limited evidence that the book is superior to the film. De Niro, Michelle Pfeiffer and Tommy Lee Jones are excellent actors, but the movie appears to have reduced what is an excellent and unusual book to the Hollywood stereotypes. Good Fellas goes to France. Lots of action and not much meaning. Fun to see if you like that sort of thing, and I will see it, but the book has so much more than casting Don Corleone as a comedian living in retirement in France. Maybe unfair, since I only have the trailer to base this comparison on, but I predict that I am correct.
Focussing on the book, which I did read cover to cover, it is always interesting to read books about America and Americans written by Europeans who don't live here. Kafka's "Amerika"is an example, as is Brecht's weird play, "In the Jungle of Cities." To Benacquista's credit, he gets American folkways, including the Mafia down pretty well. He does put Green Bay in Michigan, and the translator must be an Englishwoman, as there are a number of "blokes" in the story and people are getting "sorted out" and the like. Minor errors however. The text reads easily and smoothly.
The real strength of the book is that the characters have depth. Fred/Giovanni, Maggie/Livia and the kids, Warren and the aptly named Belle think and speak about issues of good and evil, honesty and deceit intelligently and insightfully. Benacquista talks knowledgably about the criminal psyche, and the book shows tellingly what makes and breaks marriages and other relationships between people who do or should love each other, all while telling an interesting story.
Those looking for a rollicking crime romp with no excursion into deeper meaning can skip this one. But for readers who like mysteries and serious analysis of what makes people tick in the same book. there is a lot here.
While the extended passage in the middle of the book tracing how the school magazine from the kids' Lycée makes its way around the world looks at first like a diversion, it is not. It relates forward and back to the lives of the characters throughout the book.
The book does have its weaknesses. Warrens's adventures as a 13 year old Godfather at his school are only glanced at. An opportunity missed. Not enough time is spent on telling us about what makes Belle so inwardly as well as outwardly beautiful. And I don't think the author gets the hang of the Witness Protection Program exactly right.
But these flaws are balanced by the extraordinary feat of the author in making Giovanni a believable apprentice writer, not forgetting that he is a very bad man with a heavily scarred psyche.
I fear that the film, soon to be released, will give the book a bad name, establishing mistaken and far too low expectations. This is not just a serio-comic thriller. It is an interesting cross between a crime thriller and a psychological and sociological profile of people at the crossroads of good and ill in their lives.
I liked the dog too. Highly recommended.
4 of 4 people found the following review helpful.
Sequel to The Sopranos?
By TChris
If, like most viewers, you were wondering "what comes next?" after the screen turned black at the end of the last Sopranos episode, you can imagine Malavita as the Sopranos sequel. Unfortunate events forced the Blake family to leave Newark, and then to leave Paris, and then to leave the Cote d'Azur before making their way to a village in Normandy. Along the way they were joined by an Australian Cattle Dog named Malavita. The cause of their journey is not revealed until chapter two, but the reader knows that it has something to do with Fred, "in the days when he was still called Giovanni." Having come into possession of a typewriter, Fred is posing as a writer, a cover story that disturbs both his wife Maggie (who regards her husband as barely literate) and, after Fred decides he should write his memoir, his exasperated FBI handler. The writing exposes Fred's checkered past to the reader while dredging up a sense of vulnerability that Fred has rarely experienced.
The Blakes are a family of sociopaths. Young Warren's ambition is to become a Godfather while his aptly named sister Belle guards her untouchable beauty with violent vigor. Maggie might burn down your house as retribution for a perceived insult, but her French neighbors revere her as a volunteer for charitable causes. Fred is widely regarded as a worldly pack leader, a community protector. Near the story's midpoint, Tonino Benacquista treats the reader to a departure, a series of short stories connected by a school newspaper. The circuitous route traveled by the newspaper turns out to be integral to the plot, but the stories are enjoyable standing alone.
Benacquista keeps the tone light, making it possible for the tolerant reader to like the Blakes, just as viewers liked Tony Soprano while cringing at his behavior. Fred is who he is, and Benacquista helps the reader understand why. Benacquista's approach to storytelling makes it possible to step back from the criminal nature of the Blake family and to look beneath the surface to find traits and circumstances with which the reader can identify. Crime families, after all, have the same domestic issues as other families. In fact, we understand Fred better than Fred -- a man baffled by honest people who "trust in a world that had to be obeyed" -- understands us. And even if we can't identify with Belle's narcissism or Warren's lust for power or Fred's indifference to his family (although he cares about his dog, so how bad can he be?), those characteristics (exaggerated for comedic effect but recognizable in people we know) can make us laugh.
Malavita exposes the hypocrisy of people who make a point of holding themselves out as morally superior to (or holier than) the wayward Blakes. Which is worse, the novel implicitly asks: the Mafia kingpin or the factory owners who poison the village water supply? French pomposity, Italian appetites, and American arrogance all add humor to Benacquista's story. By the novel's end, Fred is redeemed in a small but meaningful way. Malavita doesn't have the depth of character that The Sopranos developed, but it tells a funny, fast-moving story without wasting words. That made it worthwhile for me.
3 of 4 people found the following review helpful.
Love, love, love, love this book.
By Victoria M. Pond
Words fail me. I cannot describe how wonderful this book is. It charmed and enchanted me so much that I was annoyed when my husband interrupted my reading to take me out to. Dinner. I haven't felt that way about a book in a long time. The writing is straightforward, brisk, funny, cruel, abrupt, and believable. This is the kind of book that Diane Johnson would write if she could ever match her performance in Le Divorce.
I say this not because I'm so fascinated by the subject matter (I have no interest in mobsters, per se), but because the writing is just so damn good.
My only complaint: the English translation is at times clumsy. An American is quoted as talking about "maths"; no American would ever call the subject anything but "math." A woman is "resigned to him going away so often"; it should be, of course, "she was resigned to HIS going away so often." "Every one of his would be killers were" should, of course, be "every one . . . was." And so on. The English translator seems to lack a basic understanding of English grammar. This problem distracts from otherwise highly polished writing.
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